In "Public Lies, Private Truths," Mercer University Opera looks closely at relationships and how they grow and change over time. The evening begins with Leonard Bernstein’s uncompromising, semi-autobiographical look at an idealized marriage in his discomfiting and amusing "Trouble in Tahiti." Three bridesmaids bemoan their dresses and the groomsmen with whom they are paired in Lisa DeSpain’s charming "Men I’m Not Married To." Finally, the behavior of a young, up-and-coming bachelor politician is called into question in Dan Shore’s enchanting…

In "Public Lies, Private Truths," Mercer University Opera looks closely at relationships and how they grow and change over time. The evening begins with Leonard Bernstein’s uncompromising, semi-autobiographical look at an idealized marriage in his discomfiting and amusing "Trouble in Tahiti." Three bridesmaids bemoan their dresses and the groomsmen with whom they are paired in Lisa DeSpain’s charming "Men I’m Not Married To." Finally, the behavior of a young, up-and-coming bachelor politician is called into question in Dan Shore’s enchanting…

In "Public Lies, Private Truths," Mercer University Opera looks closely at relationships and how they grow and change over time. The evening begins with Leonard Bernstein’s uncompromising, semi-autobiographical look at an idealized marriage in his discomfiting and amusing "Trouble in Tahiti." Three bridesmaids bemoan their dresses and the groomsmen with whom they are paired in Lisa DeSpain’s charming "Men I’m Not Married To." Finally, the behavior of a young, up-and-coming bachelor politician is called into question in Dan Shore’s enchanting…